Another holiday season has come to 52nd Street and efforts are continuing to help the teeming commercial strip regain its reputation as “West Philly’s Main Street.”

52nd Street Station after renovation.

Over the past five years, the Enterprise Center’s Community Development Corporation (TEC-CDC) has invested in the renewal of 52nd Street, a once busy commercial corridor hit hard by the 10-year Market-Frankford EL reconstruction project. Providing guidance and support, the neighborhood initiative group has worked to spur economic growth in the area, hoping to bring back its vitality.

As part of those efforts, TEC-CDC recently hired Akeem Dixon as the retail gateway’s first-ever Commercial Corridor Manager, made possible by support from the Philadelphia Local Initiative Support Corporation (LISC). In his role, Dixon will primarily oversee a cleaning contract managed by the center, funded in part by the Philadelphia Department of Commerce, aimed to “help make 52nd Street the best it can be,” said Bryan Fenstermaker, TEC-CDC’s senior director of programming.

52nd Street Station before the 2007-2008 reconstruction project / Photos: Wikipedia.

“Our [work] is to make 52nd Street the most attractive and vibrant corridor that it can be,” Fenstermaker told West Philly Local. “52nd Street is really the livelihood of West Philadelphia … A number of people grew up here on the corridor and remember what it used to be like. There’s no reason it can’t come back.”

Hiring a portal manager is a major development not only for the corridor, but for the local organization,  which has a hand in its planning and economic growth. According to Fenstermaker, the new manager will also serve as a soundboard for the “wants and needs” of the area, helping TEC-CDC leverage the requests of 52nd Street’s businesses and residents. Dixon will, in effect, act as a liaison for those partners involved in the corridor—be they local community associations or business owners and street vendors—so there’s full engagement among everyone who has a stake in 52nd Street’s success.

“What we would like to see is the businesses and vendors come together to support somebody that’s full-time on there as a sustainable practice,” said Fenstermaker. “We’re there to support the stakeholders and the corridor, so I see us being there long-term.”

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We hope that most of you have emerged from your Thanksgiving food coma now and are getting excited for more upcoming holiday events. You better be because we have a lot of things to tell you about this month. This weekend alone, there are tons of exciting things going on in the area, including holiday gift shopping opportunities, a visit with Santa, book sale, and music, art and theater events for children and adults alike. Here’s our roundup and check our Events Calendar for more upcoming events.

Thursday, Dec. 5

Photo by Kyle Cassidy.

8 p.m. – Curio Theatre’s World Premiere of Gender Comedy: A Less Stupid Twelfth Night Gay Fantasia – Preview shows: Dec. 5, 6, 7 & 12; Opening night: Dec. 13; Closing night: Jan. 4.

Curio Theatre Company continues its season with a “very low-brow look at a rather high-brow play.” The show is written by company member Harry Slack, who set out to “turn Shakespeare’s Twelfth Night tale on its head” and make it more absurd, “more fun to watch.” The approximately one-hour play contains people struggling with gender identity, sexual identity, and the complications of love. All performances run Thursday, Friday, and Saturday at 8 p.m. This show will be performed in Curio’s Black Box space at the Calvary Center for Culture and Community at 4740 Baltimore Avenue. Tickets are $15-25 and are available online at www.curiotheatre.org.  Continue Reading

West Philly resident Jay Sand has big, big plans to expand his popular world music program for youths that began out of his Pine Street living room. Sand’s goal is “to create the opportunity for every child to meet the world through music.”

Jay Sand

Sand, who has taught more than 1,000 classes to neighborhood kids, has launched an ambitious campaign to crowdfund this expansion. Last spring he took his program, which combines music and cultural exploration, into the public schools. His curriculum includes some 300 songs from more than 100 countries.

Now he wants to make it even more accessible to kids throughout the city regardless of income. Part of that plan is to create a series of CDs (and digital music) with all kinds of performers. He has already released one – All Around this World: Latin America – this fall. And two more, which will include music from Africa, are currently in post production. You can see some of the studio recordings in the video below.

So far he has self-financed these efforts, but now he is offering a chance for you to get involved through tax-deductible contributions (and get a special gift such as a CD or a “musical map” or even a free private concert for you and your family and friends).

To help promote his expansion, Sand is also putting on 24 straight one-hour webcast classes on December 7-8. You and yours can attend the free classes in person if you RSVP here. The classes start at 9 a.m. on Dec. 7 and Sand says the only song he will repeat during all of the classes is the Ugandan song “We Are Happy,” which he uses to mark the beginning of each class. Here is the schedule.

As always, we here at West Philly Local aim to keep neighbors abreast of community news and inform you of updates to that news. For today’s installment of updates, we’ve rounded up news about three big projects we’ve featured in the last three months that verge from the exciting (tacos!) to the conflicting (another expensive development!). And, of course, if there are other updates you’d love to know, we’d love to hear them in the comments.

Groundbreaking for Philadelphia Episcopal Cathedral’s $110 Million Development

Photo by West Philly Local.

Tomorrow, Philadelphia Episcopal Cathedral and Radnor Property Group (RPG) will hold a groundbreaking for 38Chestnut—the $110 million mixed-used development at 38^th and Chestnut Streets that will see the razing of two historic brownstones (pictured) formerly used as the Cathedral’s parish house. The demolition will make way for a three-prong 326,000 square-foot project (owned by 3737 Chestnut, LP and developed by RPG) to be completed in 2015, and will include the construction of an allegedly “state-of-the-art” 25-story apartment building targeting professionals and grad students, as well as the Episcopal Cathedral Center that features a three-story office building with ground floor retail, a community center, and an early-learning childcare center. Additionally, as part of a settlement with the Preservation Alliance, the development will also see the renovation and maintenance of the cathedral itself. The groundbreaking starts at 2 p.m. at the Cathedral, located at 13-19 South 38th Street.

As we reported in November, the demolition to the two 19th-century brownstones has been nothing but contentious since it made news last summer. In an 8-2 vote, the Philadelphia Historical Commission approved the Cathedral’s hardship application to bulldoze the two historically-sanctioned houses, which were on the list of Philadelphia Register of Historic Places. The Preservation Alliance appealed this decision almost immediately, but came to an agreement with the Commission in March, in which a 50-year preservation and restoration plan is implemented and maintained by the Cathedral, with project funds set aside for immediate work on the house of worship.  Continue Reading

On Sunday, Dec. 1, there will be a great opportunity to wind down your Thanksgiving weekend and learn more about other cultures at the 18th annual “Peace Around the World: Passport to Cultures” event at Penn Museum (3260 South St). This is a free event for the whole family. Visitors will receive museum “passports” with itineraries to visit different cultures (Brazilian, Cameroonian, Indian, Kenyan, Pakistani and more) and explore their holiday traditions.

The event includes a wide array of activities, such as dance, storytelling, sari-wrapping, yoga sessions, Middle Eastern drumming workshops, face painting and balloon art for children, and international family crafts. And of course, there will be free treats for children!

The event will take place from 1 to 4 p.m. and guests are also invited to bring a new, unwrapped toy donation that will go to a West Philadelphia charity. For more information about this event and schedule of activities, visit this page.

(Photo courtesy of Penn Museum)

Art part of “American Queen” series (Photo courtesy of Davis)

“Too many Basquiats. Not enough new artists.”

Black acrylic etches the lines of the first five words atop three stacked yellow crowns that run down the canvas’s vertical. The letters of the last two words—arguably the most prolific—are bold white on top a banner of black at the end, serving as the eyes of a symbolic queen. The background is a sea of baby blue with random strokes of white, red, navy and yellow.

In a way, Tiffany Davis’s anchor of her “American Queen” series—and the series itself, which includes “Never Condense Art,” a spin on Andy Warhol’s infamous soup cans—is both reverence and dismissal. For her series, the 29-year-old West Philadelphia artist (who goes by American Queen TJD (Facebook page)) takes elements from her favorite artists—like Jackson Pollack’s splashes or Jean-Michael Basquiat’s crown—and treats them as foundations for a larger purpose. Davis then washes the distinct trademarks away with her own deeply felt abstract expressionism—each canvas a kaleidoscope of color and words that call to a greater mission.

“Anybody can reproduce anything that Basquiat did, but why would you want to do it?,” Davis said, talking from her hotel room on Sunday as she waited for the Eagles game to begin. “I can probably make a name for myself [if I called] myself the female Basquiat, but why should I have to do that?”

Davis, who works during the day as a program director at Drexel University, hung up the hats of her successful fine art-cum-clothing line Cocky Persona last year in order to concentrate on the canvas-based visual work. It’s art that projects a message, with all canvas infected with the moments taking place in her life or in the world at large. (Her next string of pieces will reflect her recent trial — losing her rented South Philly home this past weekend to a fire. The day of our conversation, she was in the process of moving back to her childhood home at 56^th and Larchwood.) You can read it in the words that brand each canvas, like “Waste no time. Live,” “Breathe. Passion proves itself,” “Love you first,” or “Worth, state of mind”—positive reinforcements from the gut.  Continue Reading