Friday night Gush Gallery opened its doors. During dusk hours on the otherwise quiet 5000 block of Baltimore Avenue, warm yellow light and dozens of people spilled into the streets. People were here to see Gush’s first show, Embark, which features a number of lesser known artists from around Philadelphia.

The crowd had a punk feel and included artists, art lovers, neighbors and family. Interesting pieces included a skull reconstructed with crochet, a light shaded with faux bones, an image of a row home floating in a lake with bass swimming underneath, and a set of cherished family items sewn firmly into felt, reminiscent of bugs in a spider web.

A year long buildup came before Friday night. It started with a casual conversation between two Pratt classmates, Stephanie Slate and Sarah Thielke. Next came an Indiegogo campaign bolstered by an active Facebook and Tumblr feed. Plans had the gallery opening in 2015 but a Craigslist discovery of an old barbershop at a great price in a prime location accelerated the schedule.

Now that Gush is open (5015 Baltimore Ave, T-F 1-8 p.m., S-S 12-6 p.m.), the owners hope to maintain their business not just through the sale of art, consignment and T-shirts. They also offer by-the-hour use of a high quality workstation, scanner and printer. More events will come too, including art classes, and group critiques.

Stephanie and Sarah are very eager to invigorate the West Philadelphia art community. They hope to collaborate with other West Philly artist hubs such as the Gold Standard Cafe, and Soapbox Gallery. They would love to bring First Fridays out west as well. In the words of Stephanie, “We totally want people to come in and say ‘Hey I’m an artist’ and hang out. We want to see their work and we want to show their work.”

– Selah Lynch

Photos by Selah Lynch / West Philly Local.

We’d like to share some awesome news that came from the Pew organization. A whole bunch of West Philly-based artists, organizations and projects have recently been awarded prestigious and substantial Pew grants.

Here they are:

University City District’s West Philadelphia Skills Initiative

The University City District (UCD) has been awarded an $180,000 grant from Pew Charitable Trusts for continued support of the West Philadelphia Skills Initiative, a program that connects local employers seeking talent to talented West Philadelphians seeking opportunity. The University City District was one of 45 Philadelphia-area organizations to receive money from the Pew Fund for Health and Human Services, the primary vehicle through which The Pew Charitable Trusts supports the efforts of health and social service organizations in the Philadelphia region. The money will allow the West Philadelphia Skills Initiative to continue and improve its service of providing training and employment to low-income individuals in the district.

This is the second grant the West Philadelphia Skills Initiative has received from Pew. The first was awarded in 2011 and helped launch the program.

The Pew Center for Arts & Heritage (the Center) recently announced its 2014 grants in support of Philadelphia’s arts and cultural community. They include 12 new Pew Fellowships of $60,000 each, 35 Project Grants in amounts up to $300,000, and two Advancement Grants of $500,000 each, according to Nicole Steinberg, Center Communications Specialist.

Pew Fellow Ted Passon

The Center recognized the accomplishments and work of filmmaker and Emmy-nominated director Ted Passon, who lives in the West Philadelphia area. Passon’s recent documentary films unpack complicated social and political issues, while reflecting the underlying human emotions at play.

Here are also some funded projects in the area:

Liberian Women’s Chorus for Change: Fatu Gayflor, Marie Nyenabo, Zaye Tete, and Tokay Tomah. (Photo by Anna Mulé, courtesy of the Philadelphia Folklore Project)

Philadelphia Folklore Project: Liberian Women’s Chorus for Change

Led by 2014 Pew Fellow Fatu Gayflor, the Liberian Women’s Chorus for Change addresses urgent issues of violence against women in the Liberian community, fostering conversation and generating action through song. The Philadelphia Folklore Project will present the Chorus in local Liberian neighborhoods as well as in concerts at World Café Live and other venues.

Iquail Shaheed: Pushers

Pushers will examine issues of addiction in Shaheed’s neighborhood, the underserved area of Mantua in West Philadelphia. Shaheed will conduct exploratory workshops with youth participants in Mantua, and he will collaborate with outside artists on the script and music for the performances, including playwright and MacArthur Fellow Tarell Alvin McCraney. Shaheed is a first-time Center grantee.

WXPN: Zydeco Crossroads

This yearlong project will examine the evolution of zydeco, a musical form that blends Cajun music, blues, and R&B. Multiple concert performances will showcase celebrated zydeco musicians and explore the genre’s intersections with hip-hop, soul, and rock. Music documentarian Robert Mugge will also create a new film on zydeco, to be screened at a culminating weekend festival in fall 2015.

In an effort to keep the West Philly community up-to-date on happenings in the area, West Philly Local followed up on some projects we have followed over the last year. Here’s what we found so far:

First, for the most important update, Taco Angeleno is open for business! The outdoor taco joint, located at 5019 Baltimore Avenue, officially opened on Thursday, May 8 after months of delays and red tape. The grand opening party is this Friday (May 23), from 5 – 9 p.m. If Taco Angeleno’s Facebook page is any indication, it seems business is so far going well for owner Vanessa Jerolmack—even selling out of food her first weekend open. To satisfy those taco cravings, stop by Taco Angeleno from 5 p.m. to 9 p.m. Thursday through Saturday.

In other local food related news, the guys from Pitruco Pizza, the popular wood fired pizza truck often seen on the Drexel campus, who are also serving their signature fare as Enjay’s Pizza at Smokey Joe’s on 40th St, recently started a delivery service out to 50th Street for a $2 charge. “A real nice service for the neighborhood,” writes West Philly Local reader and Pitruco/Enjay’s fan Louis Tannen.

Gush Gallery co-founders Sarah Thielke and Stephanie Slate (Photo courtesy of Thielke and Slate).

This summer, Taco Angeleno will have a new neighbor, Gush Gallery. The art gallery space, which West Philly Local profiled in January, will open Friday, Aug 1 at 5015 Baltimore Avenue, which is currently home to a local barber shop (owners Sarah Thielke and Stephanie Slate get the keys to the space on July 1). On opening day, which is also a First Friday event, the duo will premiere their first group exhibit, “Embark,” which will feature local artists. There’s a chance they may open a week earlier than the exhibit’s launch date, but don’t hold them to it.

In real estate news, it seems construction of the Sedgley Apartments (pictured right) will finally be finished by next week and available to rent in June, Noah Ostroff, principal at 400 S. 45th Street, LLC., told West Philly Local. This is different than what he told us in September; when asked about the six month difference, Ostroff said there weren’t any delays, but “construction took longer than expected.”  Continue Reading

A three-day mini-collaborative arts festival, the Collage Festival, is taking place this week in West Philadelphia. The annual festival focuses on the idea of “collaboration, intermingling, exploration and diversity.” Philadelphia Magazine suggested the Collage Festival as one of “gay things to do in Philly this week.”

Collage 2014 is the “year of the gewgaw,” which means all the work submitted for the festival, regardless of media, must center around or include a gewgaw (see video below).

The 2014 Collage Festival will feature performances, installations, and pieces from over 40 artists of the Philadelphia area and beyond. Artists will be featuring interactive works and audience participation performances. Visitors are encouraged to interact with the art on several different levels. Between artist collaborations and audience participation, the experience will never be the same or predictable.

The Collage Festival will be held from Thursday, May 8 – Saturday May 10 from 7 p.m. to 10 p.m. at the Community Education Center (3500 Lancaster Ave). Tickets are $5 and can be purchased at the door. Three-day passes are also available.

There are also volunteering needs at the festival. All volunteers will receive free passes to events. If you’re interested to volunteer, email: info@collagefestival.com.

COLLAGE 2014 : YEAR OF THE GEWGAW from George Alley on Vimeo.

Photo from SaveDupreeStudios.org

For the last nine years, the once-ramshackle warehouse at 3617-19 Haverford Avenue has been a visage of artistic freedom—an ode to unrest and optimism demarcated by its intricate mural of kaleidoscope colors and intimate swirls.

Known as Dupree Studios, the sprawling 8,646 square foot art space is the product of Mantua-based artist James Dupree, who bought the lot in 2005 with a vision to transform it into a vibrant haven for creativity and passion. Since then, it has been a place where the 63-year-old Dupree has worked and taught, churning out art piece after art piece for commissions, exhibitions, and large scale projects—some of which are featured in institutions like the Philadelphia Museum of Art and over 5,000­­ of which lie behind the studio’s front doors.

But, for the last year, Dupree has been fighting to keep it all in his hands after the City of Philadelphia seized and condemned the property in a two-block eminent domain grab as part of efforts to revitalize the Mantua neighborhood.

Dupree considers this nothing more than an abuse of eminent domain, though, and is pushing back hard—taking the fight to the courts and the streets. His artistic acts of defiance include an exhibit debuted at the studio in March, titled “Stolen Dreams in the Promised Zone”, and a documentary produced by Art Above Reality.

And now, Dupree is opening his studio’s doors this Saturday, April 26th “to show the public what the City of Philadelphia plans to tear down in the name of ‘revitalization’.” The seven-hour event, titled “Save Dupree Studios,” will start at 2 p.m. and feature guest speakers, musical acts, DJs, mural painting, spin art for kids, a book signing, and guided tours at 3 p.m., 5 p.m., and 6 p.m. A live interview between Dupree and management columnist Gene Marks is scheduled as the main event for 7 p.m. (view the video invite below).

According to multiple news reports, the Philadelphia Redevelopment Authority plans to demolish Dupree Studios to make way for a privately-owned supermarket and parking lot. City Paper reported in November that the supermarket was described “as a longtime ‘dream of this community and of Councilwoman [Jannie] Blackwell'” by city officials, with Blackwell allegedly stating during a City Council Rules Committee hearing last year that it “has been a long time coming. We wanted a whole extra block for the supermarket. But we fought long and hard, and even the people involved in the condemnation are saying, ‘When’s it going to happen?'”

Support for Dupree’s cause is far and wide, and crosses the political spectrum. In late January, 16 representatives from various arts and political organizations—including the American Civil Liberties Union of Pennsylvania and the conservative action group Americans for Prosperity, founded by the infamous Koch brothers—signed a Save Dupree Studios coalition letter that was delivered to Mayor Nutter and members of city council. From the letter:

“Seizing James Dupree’s art studio is not only unconstitutional and a gross abuse of eminent domain, it is unconscionable. … We are especially concerned about Mr. Dupree’s case because, as empirical evidence and history demonstrate, eminent domain abuse disproportionately impacts racial and ethnic minorities. It is vital to protect all Pennsylvanians from eminent domain abuse, especially the most vulnerable.”

Dupree also launched a Change.org petition in November 2013 imploring Mayor Nutter to return him the deed to his Haverford Avenue property. So far, the petition has garnered over 3,000 signatures, and needs close to 2,000 more.

“All I could think of was how do you seize a person’s free and clear deed? How do you condemn a building that’s not condemnable?” Dupree told City Paper. “The answer is they made a big mistake. … They weren’t expecting a guy like me to be here.”

–Annamarya Scaccia

West Philly artist Nile Livingston with some works from the “Baltimore Avenue Series” (Photo by Annamarya Scaccia / West Philly Local)

Nile Livingston’s presence is calming.

We’re seated at the back corner table in Green Line Café on Baltimore Avenue. Livingston is sitting across from me, every once in a while dodging the sunlight coming through the window. As she answers my questions about her art, she’s composed and soft-spoken—her responses brief, but with a relaxed kindness.

Which is completely opposite of her work. As West Philly Local wrote about nearly two years ago, Livingston is the visual artist behind the “Baltimore Avenue Series,” which chronicles life on the corridor through colorful line drawings. (The series was displayed in Gold Standard Café’s dining room in 2012.) For the series, Livingston took scenes of everyday Baltimore Avenue life and put them down on stark white paper, first creating contour lines and then adding vibrant dabs and streaks of color Sharpie paint markers to bring them to life.

The “Baltimore Avenue Series” was inspired by “the day-to-day pedestrian archetype” she’d often see after moving back to West Philly following her graduation from Kutztown University, where she earned a B.F.A in large metal fabrication and sculpture. As she notes on her website, the series “captures the fleeting moods” of the community as “it’s transformed by the influx of growing businesses, new residents, petty crimes, and trope characters.”

And all of the characters that compose the new West Philly are there: the jogger, the coffee shop writer, the dog walker, the artist, the neighborhood kids, and the parents with their children. Her favorite image from the series, titled “The Museum of Momma Art: Affordable Gifts for Mother,” is of a woman pushing a stroller down the street.

The final images, she said, are based both on observation and imagination.

“I tried to take these archetypes and leave it open to a story,” said Livingston, 26, who also designed the Cecil B. Moore playground mural at 22^nd Street and Lehigh Avenue. “I don’t know what their lives are about, so I draw people that are kind of similar to them. These aren’t people I know necessarily. These are all strangers.” Continue Reading