Named after the New York-based avant-garde film society started in 1947 and inspired by Maya Deren’s Greenwich Village exhibition of experimental films, Cinema 16 is a new series of film experiences based at the International House that “seeks to confirm the relevance of the historic avantgarde by pairing it with contemporary sound.” For its opening night event this Friday, Feb. 17 artist and curator Molly Surno has commissioned musicians as varied as the internationally recognized pop rock band Yeah Yeah Yeah’s to the locally Brooklyn favorite krautrock group FORMA to create original music that will accompany a series of historic short, experimental films to create a mixed media performance that “remove film from the conventional big screen theater.”

This edition of Cinema 16 at IHP will explore themes of perversity, flesh, and the female form. The films are:

Asparagus
dir. Suzan Pitt, US, 1979, 16mm, 18 mins, color

Kusama’s Self Obliteration
dir. Jud Yalkut, US, 1967, 16mm, 24 mins, color

Lusting Hours (excerpt)
dir. John and Lem Amero, US, 1967, 10 mins, b/w

8:00 p.m. International House Philadelphia (3701 Chestnut Street). $9 general admission, $7 students & seniors.  For more information or if you want to buy tickets online, go here.

A new West Philly-based film project is in the works thanks to local writer and director Dan Papa. ‘Maya’ is an independent feature film that will be shot in the area and will tell a story about the changes love goes through over time (see promo video below). The film is planning to shoot in April, 2012, but Dan and his team need some help with it.

An online fundraising page has been set up on Kickstarter (link). The goal is to raise $7,000, which is the minimum of what it takes to produce a movie. You can pledge as little as $1. The project will only be funded if the full amount is pledged by March 1, 2012.

Besides fundraising, Dan is currently casting the male lead role. If you are age 24-30 and have some experience in theater and film please email danieljamespapa [at] gmail.com. Don’t forget to include a video of your recent performance. Dan also wants to hear from anyone interested in being on the crew or who would like to contribute equipment.

For updates, camera tests, and other videos, visit the film’s Facebook page.

The Philadelphia Film Festival opens Thursday and West Philly is right in the thick of the action.

The 20th annual festival opens at The Annenberg Center for the Performing Arts‘ Zellerbach Theater (3680 Walnut St.) with a screening of Like Crazy, the Sundance Grand Jury Prize (Best Picture) winner starring Felicity Jones and Anton Yelchin. Tickets for the screening are $20 ($15 for members of the Philadelphia Film Society) and $50/$45 for the screening and an opening party.

The International House (3701 Chestnut St.) and The Rave movie theater (4012 Walnut St.) are two more key venues for this year’s festival. Films kick off at the International House at 5 p.m. on Friday and continue daily through Wednesday, Oct. 26. After a short break, films return on Sunday, Oct. 30. Films at The Rave also open on Friday and continue through Thursday, Oct. 27.

We have way too little space here to get into the dozens of films screening over the festival’s two weeks. You need to find yourself a handy film guide, which is available at various locations in the neighborhood (we got ours at Earth Cup near 45th and Pine). Here is the online schedule.

One feature film with West Philly connections that we would like to point out is The Destiny of Lesser Animals directed by Deron Albright and starring Yao B. Nunoo. You might recognize those two if you saw them because they spent many hours in West Philly establishments, including The Gold Standard or Dhalak, planning and discussing the film, which was shot in Ghana and West Philly.

Nunoo, a former Penn film student who also wrote the screenplay, stars as a police inspector in Ghana who is desperate to return to America after being deported. The film is modeled in part on Akira Kurosawa’s Stray Dog.

Geekadelphia posted its Top 8 films to check out here.

Tickets for regular individual screenings are $12 ($10 for Philadelphia Film Society members). Tickets for weekday matinees (before 5 p.m.) are $6/$5. All-access badges are also available. Go here for more information on tickets.

Street Movies!, a series of free outdoor short movie screenings and live performances organized by Scribe Video Center (4212 Chestnut St.), are happening this month in communities all around Philadelphia. The films, including animation, documentary, and experimental, focus on environmental justice, healthy foods, new immigrants and urban green spaces.

This Saturday, August 6, Street Movies! will be in West Philly. Four films will be screened in Clark Park’s Bowl (45th & Kingsessing) starting at 7:30 p.m. The film presentation is hosted by the Jubilee School and the Green Guerillas, who will power the screening with their biodiesel waste and vegetable oil-powered bus the “Grease Guzzler.”

Philly-based hip hop artist Alwatan Kwele, who is originally from Tanzania, will open the evening.

There will be another screening in West Philly hosted by Mill Creek Community Partnership on August 27. Stay tuned for more information about that event.

Here are synopses of the films (from the Scribe site):

The Future of Our History
by Jubilee School
K-6 students of Jubilee spend two years studying W.E.B. Du Bois, making a pilgrimage to Great Barrington, MA, where they visit the graves of Du Bois’ wife and young son. (2011, 15 min)

Pumzi
by Wanuri Kahiu
35 years after “The Water War” has ruined earth’s surface, a young woman defies the governing council of her indoor community, escapes to the outside to plant a growing seedling. (Kenya, 2009, 21 min). Philadelphia Premiere.

Green Grease Guzzlers
by Green Guerrillas Youth Media Tech Collective (in person)
A story about alternative and sustainable transportation, this excerpt showcases Green Guerrillas ona move, making their collective’s transportation more “eco-friendly” with the conversion of a 1990 Ford Econoline diesel bus into a lean and green biodiesel/waste veggie oil machine. (2010, 30 min). Philadelphia Premiere.

Save the Future
by Jenny Deller (in-person)
A young girl re-imagines her life as a PSA, blurring the lines between her family troubles and environmental catastrophe. Save the Future is a companion short to her feature “Future Weather” about global warming. The whole production was environmentally conscious. (2009, 3 min)
 

This week’s issue of Philadelphia Weekly includes the story of West Philly couple Amanda Kole and Rachel Turanski, whose journey to Iowa last summer to marry is the subject of a documentary due out this spring.

The couple says that the film, Married in Spandex, is not overtly political and was never meant to be a film at all. It was supposed to be just a wedding video that included footage of their 18-hour trek to Iowa, one of five states where same-sex marriage is legal (plus the District of Columbia), and their wedding.

“I never thought we’d be people who were political or controversial. We just wanted to exercise our rights, and we had to go to Iowa to do it,” Kole told reporter Michael Alan Goldberg.

Kole’s sister and her sister’s boyfriend, both filmmakers, recorded the trip and the wedding, which featured a cast of zany characters but also family members who are conservative but came to accept, and enjoy, the wedding.

“We’re not Michael Moore-ing it up,” Turanski laughs. “Fighting fire with fire doesn’t do anything but make people more angry. Ideally, people will watch this and think, ‘They love each other, they’re stable, they have great jobs, they’re hilarious, they’re putting good into the world—why not just let them get married and have it be legal in Pennsylvania?’”

Here is a video released to help raise money for the production of the film:

You have probably stepped on Toynbee Tile a hundred times – maybe a thousand times – and never took notice. The little cryptic messages are embedded in streets in about 30 cities in the United States and South America. You can find them all over Center City Philadelphia. The Toynbee Tiles mystery intrigued Jon Foy, a West Philly resident, so much that he taught himself filmmaking and cleaned houses to pay for a documentary he shot and produced called “Resurrect Dead: The Mystery of the Toynbee Tiles.”

His efforts were recently noticed. Big time. Foy has won the U.S. Documentary Competition Directing Award at the Sundance Film Festival.

“I had no idea that such things were possible in life. Just a few weeks ago I was a housecleaner,” Foy said. “This is for all the artists working in obscurity out there.” “Never give up, because if you do, you know what will happen. If you don’t give up, you don’t know what will happen.”

Here is an impromptu interview with Foy soon after he received his award. Needless to say, if John cleans your house you may want to start looking for someone else.